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Alkimi University Academics

MUS 110 · Music

Music Appreciation and Aural Culture

Introduction to the elements of music, active listening, and aural culture, exploring major historical styles, genres, and world musical traditions from Western art music to contemporary global idioms.

Fall 2026 · At a glance

Course at a glance

Credits
3
Level
100 lower division
Typically offered
Fall & Spring
Prerequisites
None.
Fall 2026 syllabus
Download PDF (5 pages)

100-level courses: introductory, lower-division courses primarily for first-year students. Details: Undergraduate Catalog §9.28.

Portrait of Dr. Julian Whitlock

Dr. Julian Whitlock

Assistant Teaching Professor of Music and Theatre

Instructor for MUS 110, Fall 2026 and Spring 2027

Office
Lovell Hall 172
Email
jwhitlock@university.alkimi.ai

Department of Visual & Performing Arts

Department page →
Lovell Hall Chair: Dr. Teresa Halvorsen, Lovell Hall 421

Questions about a major or your plan: Academic Advising Center, Lovell Hall 101, (555) 555-0158.

Class meetings

  • Tue & Thu, 8:00–9:15 a.m.

    Lovell Hall 130

Final exam

Thursday, December 17, 2026

10:30 a.m.–12:30 p.m., Lovell Hall 130

Office hours

  • Tue & Fri, 11:30 a.m.–1:00 p.m.

    Lovell Hall 172

  • Wed, 11:00 a.m.–12:00 p.m.

    Virtual (Zoom link in Canvas)

Generative AI

Level 1

Not permitted for graded work

Full AI policy

You may use generative AI tools to look up composer biographies, verify dates of historical periods, or review definitions of musical forms and orchestral instruments. You may not use generative AI to write concert-attendance reports, fabricate live performance observations, generate listening exam responses, or synthesize musical analyses.

From the syllabus

Grading, dates, and materials

Grading

  • Concert-Attendance Report 1: Chamber or Solo Recital 10%
  • Midterm Listening & Concepts Examination 20%
  • Concert-Attendance Report 2: Large Ensemble or Orchestra 10%
  • Concert-Attendance Report 3: Global or Contemporary Idioms 10%
  • Weekly Aural Identification & Reading Quizzes 15%
  • Listening Lab & Seminar Discussion Engagement 15%
  • Final Comprehensive Listening Examination 20%

Letter grades follow the university scale (Student Handbook §4.1).

Key dates

  1. First day of classes Past

  2. Concert-Attendance Report 1: Chamber or Solo Recital Next

  3. Midterm Listening & Concepts Examination

  4. Concert-Attendance Report 2: Large Ensemble or Orchestra

  5. Concert-Attendance Report 3: Global or Contemporary Idioms

Week-by-week schedule

Required materials

  • Roger Kamien and Anita Kamien. Music: An Appreciation. 13th ed., McGraw-Hill Education, 2021.

    Approx. $50 digital rental with streaming audio; $90 print purchase.

  • Alkimi University Concert Pass (provides free student admission to on-campus concerts, faculty recitals, and visiting ensemble performances).

    Free student access with campus ID card.

Degree planning

Where MUS 110 fits

What to take first, what this course opens up, and the requirements it can satisfy, from the Undergraduate Catalog.

Take first

No catalog course is required first.

Catalog wording: None.

No other catalog course lists MUS 110 as a prerequisite.

Counts toward

All programs →

Every course also counts toward the 120 credits needed for a bachelor's degree. Confirm your plan with your advisor or the Academic Advising Center.

No AP exam awards credit for MUS 110 (Undergraduate Catalog §3.11).

Registration

How to enroll in MUS 110

  1. Check the prerequisites

    None.

  2. Add it in AlkimiHub

    MUS 110 is offered in both the fall and spring semesters. Register through AlkimiHub self-service registration, which opens by credit standing. Until the add deadline, you don't need instructor permission as long as seats remain and you've met the prerequisites. Details: Student Handbook §3.3.

  3. If the section is full, join the waitlist

    When a seat opens, AlkimiHub offers it to the first student on the waitlist and emails you. You have 24 hours to claim it before it goes to the next student. Details: Student Handbook §3.10.

Spring 2027 registration opens

By credit standing, in AlkimiHub.

Fall 2026 withdrawal deadline

Last day to withdraw with a W or elect Pass/No Pass.

Spring 2027 add deadline

Last day to add a course or change sections (11:59 p.m.).

Fall 2027 registration opens

By credit standing, in AlkimiHub.

The Fall 2026 add deadline passed on Sep 2, 2026.

All dates: academic calendar. Registration help: Office of the Registrar.

Official course syllabus

Complete Course Syllabus

The syllabus as filed with the department and posted in Canvas for Fall 2026.

Download PDF (5 pages)

MUS 110: Music Appreciation and Aural Culture

Term: Fall 2026
Credits: 3.0
Lecture Times & Location: Tuesday & Thursday 8:00–9:15 a.m., Lovell Hall 130
Modality: In-Person


Instructor Information

  • Instructor: Dr. Julian Whitlock (Assistant Teaching Professor of Music and Theatre)
  • Email: jwhitlock@university.alkimi.ai
  • Office: Lovell Hall 172
  • Office Hours:
    • Tuesday & Friday: 11:30 a.m.–1:00 p.m. (In person, Lovell Hall 172)
    • Wednesday: 11:00 a.m.–12:00 p.m. (Virtual via Zoom; link posted in Canvas)
    • Also available by appointment.

Course Description

Introduction to the elements of music, active listening, and aural culture, exploring major historical styles, genres, and world musical traditions from Western art music to contemporary global idioms. MUS 110 develops perceptive, critical listening skills and explores the rich tapestry of global musical expression and aural culture. Beginning with the foundational elements of music—melody, rhythm, harmony, timbre, texture, and musical form—students trace the evolution of musical genres from medieval plainchant through the Renaissance, Baroque, Classical, and Romantic eras to 20th-century modernism, American jazz, and diverse non-Western musical traditions. Through guided in-class listening labs, analytical score study, and live concert-attendance experiences across the campus and local arts community, students discover how musical styles reflect broader cultural, technological, and historical shifts.

Prerequisites

None.

Measurable Student Learning Outcomes

Upon successful completion of MUS 110, students will be able to:

  1. Identify Foundational Musical Elements: Identify and describe core musical parameters including pitch, meter, rhythm, harmonic progression, instrumentation, timbre, and formal structure through active listening.
  2. Analyze Historical Musical Eras: Distinguish stylistic characteristics, major composers, genres, and performance practices across the Middle Ages, Renaissance, Baroque, Classical, Romantic, and Modern eras.
  3. Explore Global Musical Traditions: Examine diverse world musical idioms, including West African polyrhythms, Indian classical raga and tala systems, and Indonesian gamelan, within their sociocultural contexts.
  4. Evaluate Live Musical Performances: Attend live musical performances and author perceptive, technically grounded concert-attendance reports analyzing musical interpretation, staging, and acoustics.
  5. Articulate Music's Cultural Role: Synthesize connections between musical innovations and wider sociopolitical developments, including patronage, technological recording shifts, and cross-cultural hybridity.

Required Course Materials & Approximate Costs

  1. Roger Kamien and Anita Kamien. Music: An Appreciation. 13th ed., McGraw-Hill Education, 2021. Approx. $50 digital rental with streaming audio; $90 print purchase.
  2. Alkimi University Concert Pass (provides free student admission to on-campus concerts, faculty recitals, and visiting ensemble performances). Free student access with campus ID card.
  3. Total estimated cost: Approx. $50 to $90.

Generative AI Policy (AI Level 1: AI Not Permitted for Graded Work)

In accordance with Alkimi University Academic Policies (Student Handbook §5.8), MUS 110 operates under AI Level 1.

  • What is permitted: You may use generative AI tools to look up composer biographies, verify dates of historical periods, or review definitions of musical forms and orchestral instruments.
  • What is prohibited: You may not use generative AI to write concert-attendance reports, fabricate live performance observations, generate listening exam responses, or synthesize musical analyses.
  • Disclosure: Every submitted concert report and written listening reflection must include a signed certification affirming that the live concert was attended in person and that all descriptive prose and musical analyses are your own original work.

Grading Components and Weights

  • Concert-Attendance Report 1: Chamber or Solo Recital: 10% (Due Thursday, October 1 at 11:59 p.m.)
  • Midterm Listening & Concepts Examination: 20% (In class, Thursday, October 15)
  • Concert-Attendance Report 2: Large Ensemble or Orchestra: 10% (Due Thursday, November 12 at 11:59 p.m.)
  • Concert-Attendance Report 3: Global or Contemporary Idioms: 10% (Due Tuesday, November 24 at 11:59 p.m.)
  • Weekly Aural Identification & Reading Quizzes: 15% (Weekly listening identification and reading comprehension quizzes in Canvas submitted Tuesdays at 11:59 p.m.; lowest dropped)
  • Listening Lab & Seminar Discussion Engagement: 15% (Active participation in guided listening labs, score tracking exercises, and classroom analytical dialogues)
  • Final Comprehensive Listening Examination: 20% (Thursday, December 17, 2026, 10:30 a.m.–12:30 p.m.)
Grading Scale (Alkimi University Standard)
  • A: 93–100% | A-: 90–92%
  • B+: 87–89% | B: 83–86% | B-: 80–82%
  • C+: 77–79% | C: 73–76% | C-: 70–72%
  • D+: 67–69% | D: 60–66% | F: Below 60%
  • Extra credit: No individual extra credit assignments are offered in MUS 110. Your grade is based on listening quizzes, concert reports, examinations, and participation.

Course Schedule (Fall 2026)

WeekDatesTopics & ReadingsAssignments & Deadlines
Week 1Aug 27Elements of Sound: Pitch, Timbre, and the Orchestra: Elements of music: sound properties (pitch, dynamics, tone color), instrument families of the modern symphony orchestra, and vocal ranges. Reading: Kamien Part I, Ch. 1–3First day of classes: Wed Aug 26.
Week 2Sep 1, 3Rhythm, Meter, Tempo, and Musical Notation: Rhythm, beat, meter (duple, triple, quadruple, compound), syncopation, tempo markings, and reading basic musical notation. Reading: Kamien Part I, Ch. 4–6Wed Sep 2: Add/section change deadline.
Week 3Sep 8, 10Melody, Harmony, and Tonal Organization: Melody, melodic contour, phrases, cadences; harmony, consonance, dissonance, triads, major and minor chord progressions, and tonality. Reading: Kamien Part I, Ch. 7–8Mon Sep 7: Labor Day (no classes). Wed Sep 9: Census date (last day to drop without a W).
Week 4Sep 15, 17Musical Texture, Formal Principles, and Performance: Musical textures (monophonic, polyphonic, homophonic), formal architecture (ternary, binary, strophic), and musical performance conventions. Reading: Kamien Part I, Ch. 9–10—
Week 5Sep 22, 24Medieval Monophony and Renaissance Polyphony: Gregorian chant, church modes, Hildegard von Bingen; Notre Dame polyphony, organum; Renaissance polyphony (Josquin des Prez, Palestrina) and the madrigal. Reading: Kamien Part II, Ch. 1–4—
Week 6Sep 29, Oct 1The Baroque Era: Affections, Concerto Grosso, and Fugue: Aesthetic of the Baroque era, doctrine of the affections, basso continuo, concerto grosso, and ritornello form (Vivaldi); Concert Report 1 due Thursday. Reading: Kamien Part III, Ch. 1–6Concert-Attendance Report 1: Chamber or Solo Recital due Thu Oct 1 at 11:59 p.m.
Week 7Oct 6, 8Bach, Handel, and the Birth of Opera: The Baroque fugue, cantata, and sacred oratorio; life and masterworks of J.S. Bach and George Frideric Handel; early opera (Monteverdi, Purcell). Reading: Kamien Part III, Ch. 7–14—
Week 8Oct 15Midterm Examination and Listening Synthesis (Fall Break Week): Review of musical elements, early music, and Baroque forms; Midterm Examination with aural listening identifications in class on Thursday. Reading: Kamien review parts I–III; Midterm Examination in classOct 12–Oct 13: Fall break (no classes). Fri Oct 16: Midterm grades due. Midterm Listening & Concepts Examination (in class).
Week 9Oct 20, 22The Classical Era and Sonata-Allegro Architecture: Enlightenment ideals in music, balanced phrasing, the classical symphony, and sonata-allegro form (exposition, development, recapitulation, coda). Reading: Kamien Part IV, Ch. 1–6—
Week 10Oct 27, 29Haydn, Mozart, and Classical Chamber Forms: Theme and variations, minuet and trio, rondo form; the string quartet; chamber music and orchestral masterworks of Franz Joseph Haydn and W.A. Mozart. Reading: Kamien Part IV, Ch. 7–11—
Week 11Nov 3, 5Beethoven: Revolution, Expression, and Triumph: Ludwig van Beethoven as bridge to Romanticism; heroic style, motif transformation in Symphony No. 5, and late string quartets. Reading: Kamien Part IV, Ch. 12–13; Part V, Ch. 1–2Fri Nov 6: Last day to withdraw (W) or elect Pass/No Pass.
Week 12Nov 10, 12Romanticism, the Art Song, and Piano Virtuosity: Romantic individuality, program music, the German Lied (Schubert, Schumann), and virtuoso solo piano miniatures (Chopin, Liszt); Concert Report 2 due Thursday. Reading: Kamien Part V, Ch. 3–8Concert-Attendance Report 2: Large Ensemble or Orchestra due Thu Nov 12 at 11:59 p.m.
Week 13Nov 17, 19Programmatic Symphonies, Nationalism, and Romantic Opera: Berlioz and the programmatic symphony; nineteenth-century nationalism (Smetana, Dvořák); grand opera traditions (Verdi, Wagner's leitmotif). Reading: Kamien Part V, Ch. 9–17—
Week 14Nov 24American Vernacular Music: Blues, Jazz, and Broadway (Thanksgiving Week): Delta blues, New Orleans jazz, swing, bebop, and the American musical theatre tradition (Thanksgiving Week); Concert Report 3 due Tuesday. Reading: Kamien Part VII, Ch. 1–4Nov 25–Nov 27: Thanksgiving break (no classes). Concert-Attendance Report 3: Global or Contemporary Idioms due Tue Nov 24 at 11:59 p.m.
Week 15Dec 1, 3Twentieth-Century Modernism and Avant-Garde Innovations: Debussy and Impressionism; Stravinsky's polyrhythms in The Rite of Spring; Schoenberg's atonality and twelve-tone serialism; American modernism (Copland, Gershwin). Reading: Kamien Part VI, Ch. 1–14—
Week 16Dec 8Global Aural Cultures, Film Score, and Course Synthesis: Non-Western musical traditions: West African drumming, Indian classical raga and tala, Indonesian gamelan; film music and course synthesis. Reading: Kamien Part VIII, Ch. 1–4; Course reviewWed Dec 9: Last day of classes. Thu Dec 10: Reading Day.
FinalsDec 17Final Comprehensive Listening Examination: Thursday, December 17, 2026, 10:30 a.m.–12:30 p.m., Lovell Hall 130.Comprehensive.

Course Policies

Attendance Policy

Aural literacy and listening acuity are built through shared listening experiences, immediate discussion, and live demonstration in class. Regular attendance is required for every lecture. You are permitted two unexcused absences without penalty; each subsequent unexcused absence will lower your final course grade by one third of a letter grade. Missing more than five class sessions will result in a failing grade. Students who miss the first two class meetings without notifying the instructor may be dropped. Students may miss class for religious observance without penalty if they notify the instructor in writing within the first two weeks of the semester (by Wednesday, September 9, 2026). Absences for university-sponsored activities (athletics, performances, conferences) are excused with a letter from the sponsoring office at least one week in advance.

Late Work Policy

Written concert-attendance reports lose 10% per calendar day late and will not be accepted more than three days beyond the due date. Weekly Canvas listening quizzes close at the deadline and cannot be submitted late without prior documentation of an excused illness or university conflict.

Final Exam Policy

The final examination (Thursday, December 17, 2026, 10:30 a.m.–12:30 p.m.) is scheduled by the University Registrar and can't be moved without the Dean's written approval (Faculty Handbook §5.5). A student with three or more final exams on the same calendar day may reschedule one of them. Requests go to the instructor of the middle exam by the last day of classes. For this term, send the request by Wednesday, December 9, 2026 (Student Handbook §6.4).

Academic Integrity

Alkimi University is an academic community devoted to rigorous scholarship, open intellectual inquiry, and uncompromising ethical conduct. All students are subject to the regulations of the Alkimi University Academic Integrity Policy. Academic dishonesty—including plagiarism, cheating on examinations, unauthorized collaboration, fabrication of empirical data, and unauthorized submission of academic work generated by artificial intelligence—undermines the integrity of the university and carries severe disciplinary sanctions. Sanctions range from a failing grade on an assignment or exam to an administrative course failure recorded as an 'XF' on the official transcript, academic suspension, or expulsion. Suspected violations are formally investigated and resolved through the Office of Academic Integrity in accordance with Faculty Handbook §6. For detailed information, consult the Office of Academic Integrity, Lovell Hall 315, (555) 555-0163, integrity@university.alkimi.ai.

Accessibility Services

Alkimi University is committed to providing equitable educational access and reasonable accommodations for all students with documented disabilities, including physical, sensory, psychological, learning, and chronic health conditions. Students requesting academic accommodations must formally register with the Office of Accessibility Services, Harlan Hall 204, (555) 555-0155, access@university.alkimi.ai. Once approved, students will receive an official Faculty Accommodation Letter detailing approved accommodations. Students should present this letter to the instructor as early in the semester as possible, and at least one week prior to any exam or assignment requiring accommodation. Accommodations cannot be applied retroactively.

Student Wellness and Mental Health

Your physical health, psychological well-being, and mental health are essential to your academic success. If you experience heightened stress, anxiety, depressive symptoms, personal trauma, or academic burnout, free, confidential counseling and medical care are available through the Hollis Health & Counseling Center, located in the Hollis Center. Routine appointments are available Monday–Friday 8:00 a.m.–6:00 p.m. and Saturday 10:00 a.m.–2:00 p.m. during the semester by calling (555) 555-0190 or emailing health@university.alkimi.ai. Urgent, 24/7 crisis psychological counseling is accessible immediately at (555) 555-0199.

Campus Student Support Services
  • Academic Advising Center: Lovell Hall 101 | (555) 555-0158 | advising@university.alkimi.ai
  • Writing Center: Whitcombe Library 3rd Floor | Free consultations on papers, reports, and research projects at any stage.
  • Whitcombe Library: Whitcombe Library, Main Floor | (555) 555-0170 | askalibrarian@university.alkimi.ai
  • Hollis Health & Counseling Center: Hollis Center | (555) 555-0190 | 24/7 Counseling Line: (555) 555-0199 | health@university.alkimi.ai
  • The Writing Center: Whitcombe Library 3rd Floor | Consultations on musical terminology usage, concert report critique structure, and analytical listening paper drafting.

MUS courses

More in Music

  • MUS 110 Music Appreciation and Aural Culture (this course)